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A few days later he pressed another acetate of primarily Rock 'n Roll oldies from the sessions, as well as different takes of 'Let it Be' and 'I've Got a Feeling'. This acetate version was never intended for release, but was a 'work in progress' of what he had done so far. After working through some early rough mixes of several songs, Johns had an acetate made (March 10, 1969) of his mixes to distribute to and get feedback from The Beatles. Producer Glyn Johns was brought in to work on the recordings, but was not really given any direction or cooperation from The Beatles. As for the live shows, the rest of the Beatles (particularly George) were not at all keen on performing live, so that aspect was dropped, but at the end of the sessions, it was eventually decided to do an impromptu filmed concert on the Apple rooftop (which, as we know, was halted partway through by police for noise and disruption complaints).Īfter the Get Back sessions and concert were concluded on January 31, The Beatles themselves were fed-up and not happy with the whole thing, and just lost interest in the project, and moved on to other things (actually started working on songs for Abbey Road almost right away). On his return it was agreed that they would move to their new recording studio in the basement of the Apple building (which was actually nowhere near ready and mobile recording gear had to be borrowed from EMI's Abbey Road studios) for the remainder of the sessions. After several days and tempers flaring, George walked out, leaving the group for a week before being talked into coming back. The bickering and acrimony among the group returned as soon as rehearsals started, and the rehearsals were rough and ragged. Since the rehearsals were to be filmed, it was decided to conduct the initial sessions in the Twickenham film studios, which, as it turned out, no one liked, as the large soundstage was cold and cavernous. Great, right? Well, as we all know, things didn't go so well right from the start, with rehearsals beginning on January 2, 1969.
Back to mine flac full#
So, The Beatles would 'get back to their roots' and develop and record their next album live, as a full group, with no overdubs or recording gimmicks, and the songs would grow directly out of the rehearsal sessions, and be presented 'warts and all', and this process would be documented as both a film and album, and hopefully (for Paul, at least), an actual live show or tour, and would be called ' Get Back'. So, what I am presenting here hopefully will help clarify a little just what the deal is with all the various (released and unreleased) versions of Get Back, and it's subsequent counterpart, the Let It Be albums.įirst of all, we all know the general story of the Get Back project, right? Since giving up touring and performing live years ago, and after they had become known for their elaborate studio effects and recording gimmickry and trickery, and particularly after the very isolated individual recording sessions used for the White album, The Beatles (driven primarily by Paul) thought it would be a great idea and help to restore cohesiveness among the fractured group to be more involved in playing and recording live, and create their next album that way. So, I thought I would put up something representing the original Get Back album concept, but which version? As I went back through all my Get Back sessions-related recordings, with all the different versions and recordings, I realized that it had became very confusing sorting out just what was what. OK, I had only planned on a single Beatles post as part of this feature of classic bootlegs, but there are so many great Beatles boots, that it is hard to stop at just one. 'Rough Mix' Acetate and original (1st) version of the unreleased Get Back Albumīest available sources, excellent qualityĪvailable in both Lossless (FLAC) and mp3 (320 kbps) versions
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Get Back - The Glyn Johns Mixes (Clarified)
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